The Gospel Swamp, Cordovas, Pablo Dylan

The Wayfarer Presents : November Residency

The Gospel Swamp


Pablo Dylan

Mon, November 26, 2018

8:00 pm


This event is 21 and over

The Gospel Swamp
The Gospel Swamp
The Gospel Swamp is a cosmic project based out of Huntington Beach and made up of close ol’ time buddies from high school. We have been jamming as a group since we graduated high school in 2011, while independently working on various musical pursuits ranging from playing in different bands (The New Tenants in Berkeley, The Gringoz in Orange County) to studying music and sound engineering. In 2017, The Gospel Swamp began regularly recording and gigging original material around Orange County, developing our sound and fan base alongside local bands.
From the earliest days, we all loved to explore the many colors of Rock. Our performance includes textures of blues, surf, jazz, punk, and folk; we have a psychedelic garage sound and a passion for jamming. The Swamp is deep and murky and beautiful.
Rooted in triple-stacked harmonies, southern storytelling, and cosmic country twang, Cordovas create their own version of American roots-rock with That Santa Fe Channel.

The album marks the band's ATO Records debut, arriving after more than a half-decade's worth of international touring, communal living, and shared songwriting sessions. It's a timely — and timeless — version of a sound that's existed for 50 years, ever since pioneers like the Grateful Dead and the Allman Bothers Band blurred the lines between rock, country, and amplified folk music. If That Santa Fe Channel nods to the band's influences, though, it's still a fiercely unique album, recorded in a series of live takes that shine a light not only on Cordovas' songwriting chops, but their strength as a raw, rugged live band, as well.

That Santa Fe Channel was produced by the Milk Carton Kids' Kenneth Pattengale in East Nashville, not far from the home that doubles as the band's rehearsal space, headquarters, and shared living quarters. There, in a converted barn behind the property's main house, the guys logged countless hours fine-tuning a sound that's already earned praise from outlets like NPR Music and Rolling Stone, who described the group as "the harmony-heavy, guitar-fueled house band at a Big Pink keg party in 1968." With its western wooziness and siesta-friendly swagger, That Santa Fe Channel also nods to the band's other home bases: Southern California, where bassist and band leader Joe Firstman lived for years; and Todos Santos, Mexico, where Cordovas' five members travel every winter to write new songs, sharpen old standbys, and oversee the acclaimed Tropic of Cancer Concert Series. The result is a record that's steeped in — but not limited to — southern sounds and California charm. It's American music without borders.

Years before Cordovas' formation, Firstman traveled the country as a solo musician. Raised in North Carolina, he moved to Hollywood as a determined 20 year-old, signing a major-label deal with Atlantic Records in 2002. His debut album, War of Women, hit stores one year later. When a dizzying blur of acclaimed shows — including opening dates for Sheryl Crow and Willie Nelson — weren't enough to satisfy the expectations of a big-budget record label, Firstman lost his contract and took a new job as music director on Last Call with Carson Daly. It was good work, with Firstman performing nightly alongside first-rate musicians like Thundercat and Kamasi Washington. Still, the need to create his own music was ever-present. With Cordovas, he's found his ultimate vehicle: a collaborative band with multiple lead singers and a collective approach not only to songwriting, but to existing. Cordovas aren't just bandmates. They're roommates. They're co-conspirators. They're a family.

"The Cordovas are a 24-hour, 7-days-a-week job," clarifies Firstman, who shares the band's roster with drummer Graham Spillman, keyboardist Sevans Henderson, and dueling lead guitarists Lucca Soria and Toby Weaver. "You're always on call to play, to adapt to another man's idea, to pick up a guitar or look at a lyrics sheet. We're eating dinner together, hanging out together, and making art. We don't have rehearsal times, because rehearsal is always. You have to honor the art first, and everything else comes second."

Living in such close quarters — both at home and on the road — has turned Cordovas into a band of brothers. Stop by the band's East Nashville compound and you may find Soria and Weaver picking their way through bluegrass songs inside the barn, while Firstman wraps up a family dinner in the kitchen and Spillman fixes the band's RV outside. There's a communal vibe to the band's existence that bleeds over into their songs, where it's often hard to pinpoint a single person's voice in those thick, swooning harmonies. That Santa Fe Channel is the soundtrack to that communal existence: a collection of songs written together, performed together, and lived together.

And what a soundtrack it is. There's the Band-influenced boogie-woogie of "Standin' on the Porch," full of blue notes and pedal steel. There's the layered melodies of "I'm the One Who Needs You Tonight," the classic chord changes of "Selfish Loner," the barroom piano of "Step Back Red," and the hungover charm of the album's opener, "This Town's a Drag," which finds Firstman searching for illegal thrills in a dry town. Together, That Santa Fe Channel's nine songs paint the picture of a band on the rise, heading for a horizon whose beauty can match their own.
Pablo Dylan
Pablo Dylan
Los Angeles born and raised, Pablo Dylan grew up
with music at the center of his life. At a young age, he
discovered his personal passion for the art and drew
inspiration from famous Literary Scholar Edgar Allan Poe
and US President/Civil War General Ulysses S. Grant with
the ambition of yearning to make his mark on the world
just the same.
After releasing his first mixtape, 10 Minutes, as a
15-year-old in 2011, Dylan earned production credits on
songs with artists like Erykah Badu, ASAP Rocky, OG
Maco, D.R.A.M., and Brent Faiyaz. But with time, he grew
disillusioned with the process of creating songs just to
please A&Rs and being told to focus on sales projections
instead of artistic integrity. So, he took a break from
Pablo Dylan took a step back and reevaluated everything.
He looked around at the rest of the country and realized
“we live in a different America than we lived in when I was
writing some of those older songs.” He describes it as
“a kind of the defining moment in terms of our country’s
character and its ability to change,” and explains that
this is what inspired his forthcoming album. In this new
project, Pablo introduces an introspective and luminous
folk rock sound inspired by his infamous lineage. Born
out of experimentation, the project is layered with dark,
moody sounds, heartfelt melodies, and lyrics about
personal experiences.
Venue Information:
The Wayfarer
843 W 19th Street
Costa Mesa, CA, 92627